With its Class A servo biased mic inputs, broadcast-quality signal processing, and the ability to stream and record phone calls, it's the workstation for podcasters of every experience level.. One of the other features that sets it apart from other consoles or mixers favoured by podcasters is the 8 colour-coded sound pads -. One of the most effective ways is to integrate audio sources into the mix we're talking sound effects, background music, intros and outros whatever you need to expand on the brand of your show. Think about your favourite radio station, or YouTube channel music and sound effects or bites will always play in the flow and personality of the content, and the ability to incorporate this audio with such ease is something other consoles cannot offer. In my view, every single different bit of content should be separated or differentiated by sting or ID - sting being short sharp bit of music, ID being the same and with voiceover, he says... No matter which route you go down, free or paid, with RØDECaster Pro, all you need to do is load your audio onto the 8 on-board sound pads via the software and you're good to go.. For Michael Adams, producer and host of, music plays in supplementing his narratives... and you find yourself needing lots of different types of tracks for different segments or episodes, then you may want to consider paying for subscription license. In nutshell, 'royalty free is type of music license that allows the purchaser to pay for the license on one-off basis to be used for as long as they need, without having to pay royalties to the owner. This is easy with RØDECaster Pro plug in mic to one of the four inputs, navigate to the sound pad manager on LED touch screen, select the desired sound pad slot, and hit record..
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