postworks fuels expansion with pro tools

On the picture side is the firm called Technicolor Postworks, color-grading and mastering services for feature films and television series.   For audio post-production and system rental, about cooking, true crime, and house-flipping..   That's not the kind of Fuller is focused on, however — he is dealing with the reality of New York City's estate market.   We mixed The Looming Tower for Hulu and spy Berlin Station for Epix.  And going back further, the team did The Get Down, music series for Netflix created and produced by Baz Luhrmann.   Phillip relates Postworks delivered for its clients in fast-paced where the passage of time is marked not in years, except in 'buildings.   Even with all Dante interfaces that are out there, control surfaces like S6 or S3 or ICON, you need the converters and you also need some way to control the in the room or listen to the different sources in the room easily...   There was Pro Tools interface that could provide the I needed, that had MADI to support ATMOS, and even more importantly, included Dante.   Phillip states that in post-production, most audio is converted to 48k, 24-bit, and has high praise for DAD-built converters in MTRX..   Pro Tools MTRX is like I O box, like the engine of Euphonix console, letting us route audio to and from Pro Tools...   One brilliant thing is that S6 stage mix systems can share MTRX, and they both have full access to Xmon monitoring system in MTRX unit...   Read more