It attempts to recreate its sound and behaviours but as the original was very limited in important categories number of them were added or disrupted to the original design. Like many synths of OB-X's generation OB-Xd has internal effects so its sounds and textures can be slightly increased by the use of additional processing name click reverb delay etc.. OB-Xd Oscillators. mixer was established to blend the two oscillators and source which is much than the moving levels of the original design. Using MULTI rotary control you can crossfade from low-pass behavior on the complete left to either notch default or bandpass using BP switch behavior at 12 o'clock and high- pass behavior on the further right. This mode is only low-pass but MULTI control also allows you to soon shift the length of the side from 24dB octave on the complete left back to 6 dB octave on the complete right.. The problem is when you want to punch in and hear reverb on the post roll not after the punch in point.. Yes you can create Aux in Logic and put the reverb in order to hear the reverb during amplifier but the problem is that it uses UA DSP if you want to use the same reverb you tracking with.. Then send form the virtual channel in Console to Aux with the reverb on it. If you set up reverb in AUX in Console you hear the dare to the microphone direct with any latency and that will be great okay.. If you need reverb in amplifier its just to make AUX in logic and put it in there or center you can route it back to virtual channels in Console right..
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