Final Cut Pro X 10.4 simplifies working in HDR

With the added support for HDR now built center FCPX, it is as best time as any to memorize how to do it. With this new update Final Cut Pro gains access to field of brightness levels so that director can video to HDR monitors using I O medium from AJA and Blackmagic with brightness levels up to 10, 000 nits. The color grading tools support HDR and Standard Dynamic Range SDR video, and with tone mapping, users can well shift HDR to SDR output for broadcast... If you happen to own Atomos recorder as Ninja Inferno or Sumo19 working in HLG reformat of HDR developed by BBC and NHK just got easy. Using Atomos recorder you can experience and burn in HLG and REC.2020 directly into the video clip at the number of acquisition. This metadata is automatically accepted FCP X 10.4 when the clip is imported. HDR project settings can also be automatically generated when Atomos HLG clip is dropped in. The metadata stays all the way through the pipeline right to smuggle using Compressor, and on to video sharing hill name YouTube and Vimeo... If you prefer to shoot Log and output in either HDR10 or HLG, then the games is also simplified, though not quite as free. You can also use Atomos HDR monitors and monitor recorders as cost-effective way to preview and edit HDR content when connected from I O to Mac. Several type can also take the output from FCP X 10.4, and attach the data to allow it to display on HDR TV in HDR10 or HLG..  Read more