Unfortunately the gold sample books that comes with Logic Pro X has scant few samples to work with and what is there is everyone near the caliber of the other sound categories. The simplest melodic way is to use range of third or sixth based on the range of the instruments and of the notes required.. Here is the same as not below with third horn playing the number of the not major seventh chords the sixth of the chord and the thirteenth of the chord. The problem is when you want to punch in and hear reverb on the post roll not after the punch in point.. Yes you can create Aux in Logic and put the reverb in order to hear the reverb during amplifier but the problem is that it uses UA DSP if you want to use the same reverb you tracking with.. Then send form the virtual channel in Console to Aux with the reverb on it. That solves the problem of hearing the reverb before punching in and while recording all using only instance of reverb. If you set up reverb in AUX in Console you hear the dare to the microphone direct with any latency and that will be great okay.. If you need reverb in amplifier its just to make AUX in logic and put it in there or center you can route it back to virtual channels in Console right.. I dont really see your point here can you pleas explain for me what reason you wanna use the reverb in Logic X to monitor reverb on the microphone..
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